In one musical sequence in the movie, Sippy showed Amitabh Bachchan and Dharmendra chugging through the verdant countryside on a black Royal Enfield Bullet with a sidecar for good measure. Then one day, sometime around 1975, a film director by the name of Ramesh Sippy decided to make Sholay, arguably the biggest blockbuster in Bollywood's history. Two-wheelers in Bollywood had more to do with the so-called aspirational middle class trying to bring in a bit of panache into its rather sedentary role in reel and real life. But then scooters didn't have the same flaunt value that big-imported cars such as the Bel Airs, Impalas and Biscaynes did. In the early seventies when bell-bottom clad heroes serenaded their leading ladies on ungainly-looking Lambretta scooters, everyone wanted to be seen on one. In fact, Bollywood's love affair with two-wheelers started much earlier. That was shot almost a quarter of a century ago. In true Bollywood style, our khakiclad pursuer, who also happens to be the protagonist of the movie, runs to a parked motorcycle, kicks it to life and roars off in hot pursuit. The music builds up to a crescendo as the man leaps into the waiting van, which takes off, spewing a cloud of dust in its wake.
![dhoom 2 bike price dhoom 2 bike price](https://i2.wp.com/custom-life.net/wp-content/img/2017/08/FZ25-03.jpg)
![dhoom 2 bike price dhoom 2 bike price](https://bd.gaadicdn.com/upload/userfiles/images/ab6d0c000058c511400bc70e7d59cada.jpg)
A closer look shows a policeman in chase, waving a gun. Aman in a torn blue shirt runs frantically towards a shabby minivan as bullets fly all around him.